

A cinematic photograph taken from inside a car at night, the camera low on the passenger seat, looking across at her. The whole windscreen ahead of her is a moving white wall of foam and spinning brush, blown out to a solid pure white field, and it fills the upper half of the picture. Against that white she is a dark shape in profile, her chin down, her hands still on the wheel. The blue tunnel light comes through the foam and lays a cold rim along her forehead, her nose and her mouth, and the near side of her face is in deep shadow. Her window is down a hand's width and water is coming in and running down her bare arm, darkening the shoulder of her thin white shirt. She is looking straight ahead into the white. The dashboard crosses the bottom edge of the frame as a soft black bar. 35mm, f/2, the wet edge of her jaw sharp. Muted, melancholic mood, hyper-realistic, fine film grain. In the lower right corner, a small pencil signature: Ziggy