

A gown made entirely of clear running water with a train that runs away behind her for ten metres, photographed as a fashion show picture on a mirror polished chrome runway that throws back everything above it, in a black hall lit by one hard white row of lamps directly overhead. The whole train has been lifted off the floor and flies out sideways level with her hips, holding straight and rigid right across the frame and breaking into threads and spray at its far end. Her hair is soaked flat to her head and does not move at all. A naked woman wearing it walks straight down the middle of the runway toward the camera, caught mid-stride with one foot crossing in front of the other, hips driven forward, shoulders low and turned against them, both arms swinging free, her chin up and her eyes straight into the lens with no expression. Photographers' flashes are firing in the black on both sides as small hard bursts. Camera at runway floor level, tilted slightly up. hard overhead light, chrome floor reflection, extreme high contrast, sharp focus, deep depth of field. In the lower right corner, a pencil signature: Ziggy